If you’re read anything I’ve written in, say, the last year, you’ll know how much I go to gigs. And February’s been good to me. There have been six gigs this month, encompassing however many bands. Seven Heroes (supporting the Kooks, but I couldn’t be arsed to stay for them), The Rakes, White Rose Movement, Duels, Switches, The Cribs, Giant Drag, Jeffrey and Jack Lewis, Dustin’s Bar Mitzvah (supporting the Paddingtons, again I couldn’t be arsed to stay), Babyshambles, Jack Afro, and now Sol Someone (I can’t remember their name), John Egdell and the mighty, mighty Jim Noir and his man choir.
The support bands were weird. Well, John Egdell wasn’t particularly weird. Five of us were lined up along the front, and it was one man singing gorgeous slow songs with a guitar. He forgot something and went offstage after one song to get it. Sol Someone were…definitely weird. They had numerous keyboards and swapped instruments constantly. The singer was amazingly dressed and had a fabulous voice, and they were quite good, but a little weird for my taste.
Jim and his man choir were welcomed onstage to a loud cheer, but with five of us still lined up along the front, with a gap in between us and the rest of the crowd. They started with the only song I didn’t know, the elusive Tell Me What To Do that I couldn’t find anywhere, but it turns out Katie and Matthew have it, so I’ve been sent it and right now am listening to it for the second time in a row
Another good thing about them (because although Jim plays every single instrument and does all the singing on his recorded stuff, the man choir are brilliant and absolutely essential, you could be fooled into thinking they were all one band, Jim included) is their happiness to chat with the crowd. I can’t remember what exchange led to Jim announcing, “This next song’s called ‘Fuck You, Yer Bastards’,” but it raised a laugh. Of course, it was quite the opposite, the sublime Eanie Meany. I can’t remember what order they were played in, but the set also included A Quiet Man, Computer Song, How To Be So Real, I Me You I’m Your, The Only Way and Turbulent Weather. Key of C, however, raised the biggest cheer of the night, until My Patch. They mentioned singalongs. They mentioned congas. I’m a member of the forum, I expected these. With all the space we had, Katie, Matthew and I were able to prance on the spot like he does in the video, until we turn round and see the conga getting going. I found the end and didn’t stop until the whole conga did, after the band had finished playing. We looped round everyone in the room, out, round, round tables, into the backstage area (nobody gave a shit, they were too busy laughing), along past the front several times…they stopped playing and everyone kept singing the…um…lovely refrain ‘If you ever step on my patch, I’ll bring you down, I’ll bring you down’, as we kept conga-ing. Jim leapt off the stage and started patting everyone on the back as they went past him, so I threw my arm around him and gave him a hug. We had to move a bin on wheels to get past one point, so I’d assume the person at the front kept pushing it, and as we were going past the front at one point a man sat in it and was pushed along by the conga. My jeans were falling down, I was tired, I was thirsty, but I kept going and going and going, because I didn’t want to stop. But all good things must come to an end, sadly. No encore, the Noir doesn’t have a massive amount of songs, sadly, but Tower Of Love (one of my absolute favourites on the album but it’s only an instrumental track), Hotsy Wa Wa Blues and Turn Your Frown Into A Smile would have been nice as well.
The guitarist was a bit weird and kept staring at us, and at one point pointed us out to Jim as the fans, we knew all the words. Oh, come on, I knew there couldn’t have been that many of us. So when he talks to us, Katie shows him her ‘Noirgasm’ badge. He loved it. And asked her if he could keep it. The guitarist’s face when he looked at it was priceless though.
Brilliant night, brilliant artist, brilliant man choir (‘Want to buy a man choir?’). One problem- set too short. Far too short. Although they managed to go on past their curfew of 11pm thanks to our conga skills and we missed the last metro home. Ho hum, pig’s bum. Worth it. 11/10, Mr Noir, can’t do better.